{"id":2,"date":"2014-10-22T15:10:42","date_gmt":"2014-10-22T15:10:42","guid":{"rendered":"http:\/\/atorod.pl\/?page_id=2"},"modified":"2026-04-16T23:41:30","modified_gmt":"2026-04-16T21:41:30","slug":"przykladowa-strona","status":"publish","type":"page","link":"https:\/\/atorod.pl\/?page_id=2","title":{"rendered":"O mnie\/About me"},"content":{"rendered":"<p>Dorota Kozi\u0144ska \u2014 krytyk, kt\u00f3ry stara si\u0119 pozosta\u0107 niezale\u017cny od wszystkiego poza tym, co s\u0142yszy i widzi na scenie. Pisze i opowiada nie tylko o operze. Przez wiele lat prowadzi\u0142a dzia\u0142 koncertowy, p\u00f3\u017aniej dzia\u0142 operowy w dawnym \u201eRuchu Muzycznym\u201d, pisa\u0142a felieton pod pseudonimem Mus Triton. Wyk\u0142adowczyni Akademii Teatralnej w Warszawie i Akademii Muzycznej w \u0141odzi. Wsp\u00f3\u0142pracownica \u201eTygodnika Powszechnego\u201d, \u201eTeatru\u201d, &#8222;Zeszyt\u00f3w Literackich&#8221;, &#8222;Glissanda&#8221;, Programu Drugiego PR, gdzie wraz z Kacprem Miklaszewskim by\u0142a jednym z dwojga sta\u0142ych s\u0119dzi\u00f3w P\u0142ytowego Trybuna\u0142u Dw\u00f3jki, audycji prowadzonej przez Jacka Hawryluka, oraz Polskiego Radia Chopin, jako gospodarz audycji <em>G\u0142osy z za\u015bwiat\u00f3w <\/em>oraz <em>Pie\u015bni nad pie\u015bniami<\/em>. Obecnie wsp\u00f3\u0142pracuje z Marcinem Majchrowskim w audycji\u00a0<em>Opera pod Gwiazdami. <\/em>W roku 2022 otrzyma\u0142a Doroczn\u0105 Nagrod\u0119 Zwi\u0105zku Kompozytor\u00f3w Polskich: &#8222;za bogat\u0105 tw\u00f3rczo\u015b\u0107 krytyczn\u0105, eseistyczn\u0105 i translatorsk\u0105, obejmuj\u0105c\u0105 rozleg\u0142e obszary muzyki, ze szczeg\u00f3lnym uwzgl\u0119dnieniem teatru muzycznego&#8221;.<\/p>\n<p>Dorota Kozi\u0144ska is a critic who tries to remain independent of everything except what she sees and hears onstage. She writes and talks not only about opera. For many years, Kozi\u0144ska headed the concert department, and later the opera department at <em>Ruch Muzyczny<\/em>, where she also wrote a column under the pseudonym of Mus Triton. She is a lecturer at the Academy of Dramatic Art in Warsaw and the Academy of Music in \u0141\u00f3d\u017a. She has collaborated with <em>Tygodnik Powszechny<\/em>, <em>Teatr<\/em>, <em>Zeszyty Literackie, <\/em><em>Glissando<\/em>, Channel 2 of Polish Radio, where she was one of judges on <em>P\u0142ytowy Trybuna\u0142 Dw\u00f3jki <\/em>(the Polish version of <span class=\"st\"><em>La Tribune des critiques de disques<\/em><\/span> <em>France Musique<\/em>, a programme hosted by Jacek Hawryluk), and Polish Radio Chopin, as the host of the programmes <em>G\u0142osy z za\u015bwiat\u00f3w <\/em>(<em>Voices From Hereafter<\/em>) and <em>Pie\u015bni nad pie\u015bniami (Songs of Songs). <\/em>She currently works with Marcin Majchrowski on the programme <em>Opera pod gwiazdami (<\/em><em>Opera under the Stars). <\/em>In 2022, she received the Annual Award of the Polish Composers&#8217; Union, &#8222;in recognition of the translation and critical work covering extensive areas of music, with a particular focus on musical theatre&#8221;.<\/p>\n<p><a href=\"http:\/\/atorod.pl\/wp-content\/uploads\/2014\/10\/cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-94\" src=\"http:\/\/atorod.pl\/wp-content\/uploads\/2014\/10\/cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio-300x178.jpg\" alt=\"!cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio\" width=\"300\" height=\"178\" srcset=\"https:\/\/atorod.pl\/wp-content\/uploads\/2014\/10\/cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio-300x178.jpg 300w, https:\/\/atorod.pl\/wp-content\/uploads\/2014\/10\/cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio-1024x608.jpg 1024w, https:\/\/atorod.pl\/wp-content\/uploads\/2014\/10\/cid__174007380C3ADB4A8969EDE00F7B4FBA@polskieradio.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Fot. Grzegorz \u015aled\u017a (Polskie Radio)\/Photo: Grzegorz \u015aled\u017a (Polish Radio)<\/p>\n<p>Nie\u015bmia\u0142ych oraz ceni\u0105cych sobie prywatno\u015b\u0107 prosz\u0119 o kontakt pod adresem: dorotakozinska@atorod.pl<\/p>\n<p>If you are shy or value your privacy, please feel free to contact me at: dorotakozinska@atorod.pl<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dorota Kozi\u0144ska \u2014 krytyk, kt\u00f3ry stara si\u0119 pozosta\u0107 niezale\u017cny od wszystkiego poza tym, co s\u0142yszy i widzi na scenie. Pisze i opowiada nie tylko o operze. Przez wiele lat prowadzi\u0142a dzia\u0142 koncertowy, p\u00f3\u017aniej dzia\u0142 operowy w dawnym \u201eRuchu Muzycznym\u201d, pisa\u0142a felieton pod pseudonimem Mus Triton. Wyk\u0142adowczyni Akademii Teatralnej w Warszawie i Akademii Muzycznej w \u0141odzi. &#8230; <span class=\"more\"><a class=\"more-link\" href=\"https:\/\/atorod.pl\/?page_id=2\">[Read more&#8230;]<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["entry","page","publish","author-dobiasz","post-2"],"_links":{"self":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":21,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":9586,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/9586"}],"wp:attachment":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}