{"id":1120,"date":"2016-03-04T12:01:59","date_gmt":"2016-03-04T11:01:59","guid":{"rendered":"http:\/\/atorod.pl\/?p=1120"},"modified":"2016-03-04T12:03:31","modified_gmt":"2016-03-04T11:03:31","slug":"odesli-jdi-take","status":"publish","type":"post","link":"https:\/\/atorod.pl\/?p=1120","title":{"rendered":"Ode\u0161li&#8230; Jdi tak\u00e9\u2026"},"content":{"rendered":"<p><em>Jenufa<\/em>, pierwsza w pe\u0142ni dojrza\u0142a opera Janaczka, powstaj\u0105ca w dramatycznych okoliczno\u015bciach \u017cycia kompozytora, wci\u0105\u017c bywa interpretowana i re\u017cyserowana jako dramat przebaczenia i odkupienia, kt\u00f3rego bohaterowie przechodz\u0105 gruntown\u0105 przemian\u0119 duchow\u0105 i pod wp\u0142ywem tragicznych wydarze\u0144 odkrywaj\u0105 moc prawdziwej mi\u0142o\u015bci. Wnikliwsza analiza partytury w po\u0142\u0105czeniu z librettem ods\u0142ania jednak inn\u0105 prawd\u0119: to przede wszystkim historia o zasadach funkcjonowania zamkni\u0119tej, fanatycznej wsp\u00f3lnoty, i o rozpaczliwych wysi\u0142kach dw\u00f3ch kobiet, kt\u00f3re pr\u00f3buj\u0105 uchroni\u0107 j\u0105 przed rozpadem, utrwalaj\u0105c tym samym odwieczny, krzywdz\u0105cy porz\u0105dek rzeczy.<\/p>\n<p>Z przyjemno\u015bci\u0105 informuj\u0119, \u017ce m\u00f3j esej &#8222;Wcale nie odeszli &#8211; o wewn\u0119trznej dynamice postaci w <em>Jenufie <\/em>Janaczka&#8221; ukaza\u0142 si\u0119 w\u0142a\u015bnie w zbiorze studi\u00f3w i szkic\u00f3w <em>Mira\u017ce identyfikacji. Libretto w operze XX i XXI wieku <\/em>pod redakcj\u0105 Aliny Borkowskiej-Rychlewskiej i El\u017cbiety Nowickiej (Pozna\u0144, PTPN, 2016).<\/p>\n<p><a href=\"http:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008.jpg\" rel=\"attachment wp-att-1121\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1121\" src=\"http:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008-199x300.jpg\" alt=\"WP_20160304_008\" width=\"199\" height=\"300\" srcset=\"https:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008-199x300.jpg 199w, https:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008-768x1155.jpg 768w, https:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008-681x1024.jpg 681w, https:\/\/atorod.pl\/wp-content\/uploads\/2016\/03\/WP_20160304_008.jpg 841w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p>***<\/p>\n<p><span class=\"st\"><em>Jen\u016ffa<\/em><\/span><em>, <\/em><span class=\"st\">Leo\u0161 Jan\u00e1\u010dek&#8217;s first fully mature opera, was written at a dramatic stage of the composer&#8217;s life. The opera is usually interpreted and directed as a drama of forgiveness and redemption, whose protagonists undergo a complete spiritual transformation, and, under the influence of tragic developments, discover the power of genuine love. However, a more in-depth analysis of the opera score and the libretto reveals a different story, one of the rules of existence of a closed, fanatical community and the desperate efforts of two women trying to protect the community from disintegration, at the same time re-establishing the timeless, unfair order of things. <\/span><em><br \/>\n<\/em><\/p>\n<p>I am happy to announce that my essay &#8222;They have not gone at all: the internal dynamics of the protagonists of <span class=\"st\">Leo\u0161 Jan\u00e1\u010dek&#8217;s\u00a0Jen\u016ffa&#8221; has just been published in Alina Borkowska-Rychlewska, El\u017cbieta Nowick<\/span>a (ed.), <em>Mira\u017ce identyfikacji. Libretto w operze XX i XXI wieku <\/em>[<em>Mirages of Identity: L<span class=\"st\">ibretto in Opera of the Twentieth and Twenty-first<\/span><\/em> <span class=\"st\"><em>Centuries<\/em>] (<\/span>Pozna\u0144, PTPN, 2016).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenufa, pierwsza w pe\u0142ni dojrza\u0142a opera Janaczka, powstaj\u0105ca w dramatycznych okoliczno\u015bciach \u017cycia kompozytora, wci\u0105\u017c bywa interpretowana i re\u017cyserowana jako dramat przebaczenia i odkupienia, kt\u00f3rego bohaterowie przechodz\u0105 gruntown\u0105 przemian\u0119 duchow\u0105 i pod wp\u0142ywem tragicznych wydarze\u0144 odkrywaj\u0105 moc prawdziwej mi\u0142o\u015bci. Wnikliwsza analiza partytury w po\u0142\u0105czeniu z librettem ods\u0142ania jednak inn\u0105 prawd\u0119: to przede wszystkim historia o zasadach &#8230; <span class=\"more\"><a class=\"more-link\" href=\"https:\/\/atorod.pl\/?p=1120\">[Read more&#8230;]<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":{"0":"entry","1":"post","2":"publish","3":"author-mangusta","4":"post-1120","6":"format-standard","7":"category-miscellanea","8":"category-posts-in-english"},"_links":{"self":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/posts\/1120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1120"}],"version-history":[{"count":3,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/posts\/1120\/revisions"}],"predecessor-version":[{"id":1124,"href":"https:\/\/atorod.pl\/index.php?rest_route=\/wp\/v2\/posts\/1120\/revisions\/1124"}],"wp:attachment":[{"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atorod.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}